I was nine months old when my father died. After his death, my mother remained a widow until December 29, 1979, when she married Cooper, who, by virtue of this fact, became my step-father, although I was twenty-seven at the time and hardly in need of a new parent. But Cooper was not new to me.
Posts by Gerald Early
The novel’s attraction is solely its dystopian vision of a fascist America. None of its characters or situations are memorable. That is not to say that some of the characters are not interesting or diverting.
The program to eradicate smallpox was always underfunded, encountered numerous obstacles from obstructionist, incompetent governments to floods, civil wars, famines, and droughts. It is a story that makes one believe that human beings are worth believing in.
I had driven a few blocks, but pulled the car over. I looked at my daughter for a moment and realized that God does indeed give only ironic gifts.
It was Christmas and Bobby was a good boy and we worked hard for our money. All of that must mean something. What is the point of a God and His Son if this hardship does not mean anything, you know, the hardship of this life, the grinding of it cannot be pointless, can it?
Pipes’s book works hard at making Nixon-in-winter a true conservative as he emerged from his worst days of physical and emotional wreckage after leaving Washington to become a kind of consul without portfolio, the eminence grise of the Republican Party.
The faith Willie had in me to protect him from anything untoward, even from being hurt by the elements, mirrors the faith I had in my grandfather to protect me from the street gangs when he took me to a game over fifty years ago.
Day’s characters seemed to give her fans not only a coping fantasy but a sense of inspiration. One of the problems with the intelligentsia is that it will not respect or take seriously any fantasy that is not built on some idea or resistance to hegemony, which Day’s fantasy clearly was not.
The OO7 Diaries reveals filmmaking as both a nearly heroic exercise in tenacity and an astonishingly pure expression of absurdity.
I suppose mothers are always trying to save their sons. And sons are always making their mothers suffer, always making their mothers need to save them. Despite my stupidity, my unworthiness, my mother was determined to save me anyhow.
Alou is one of the best baseball autobiographies of recent years because it offers the story of race and baseball not from a non-American perspective, but from someone who got to know the United States very well as both a resident and a subject of its foreign policy, as both insider and outsider.
The basic facts are here, from Spahn’s upbringing in Buffalo to his last year in baseball with the New York Mets and San Francisco Giants, as well as some useful quotes but there are two problems with Freedman’s book.
Slugfest is a fun book for anyone interested in comic books, in American popular culture generally, or in the obsessive and sometimes pathological nature of business competition. But it is not the incisive book about this industry that still awaits its author.
What we have in Black Fortune is not just a proto-black version of the Rich and the Famous, although it is on some level precisely that, but also another kind of origin story of the black elite or of a black economic elite or leisure class and how it saw its racial duties, this last being a major obsession with successful blacks.
There was a time when I had dreams, infrequently but strikingly, that my mother had died. These occurred some years ago when I did not talk to her very regularly or see her often.
Corrigan’s book is well-conceived and well-executed, written with a polemical chip on its shoulder, to be sure, but with an earnest intelligence that makes it a compelling and at times even absorbing read, revealing a striking self-awareness of the stakes and the drama of the psy-war that prison custodians and their prisoners engage in.
An incomplete listicle of how we think about animals.
Never Caught is a fascinating, absorbing account of slavery and freedom in the early days of our nation and is especially accessible for the non-specialist, non-academic reader.
In some ways, the current wave of African-American football players kneeling during the national anthem replicates the Bebop revolution that changed the public persona of the black male jazz musician. Now it is black players demanding that audiences recognize that their attitude is not the same as their white peers.
The story of the rise of Reagan is the story of the successful rise of movement conservatism through rebranding the Republican Party. As Shirley writes astutely, if somewhat glowingly, in Reagan Rising: “In fact, the party was broadening the base by narrowing the appeal. Instead of trying to be all things to all people, the GOP, with Reagan’s gutsy leadership, was becoming one thing to all people.”
I now think about my mother every day. I did not do this before she came to St. Louis to live. There was, in fact, a stretch of years when I did not think about her much at all …
Cop Under Fire is a rambling monologue, aggressively expressed if not always cogently persuasive as a set of arguments. It would serve Clarke adequately as a campaign book as it expounds his policy views in a number of areas, some only tangentially related, at best, to law enforcement.
Maybe money changed us a long time ago and there is really nothing it can do for us now as it is, in the human mind, both everything and nothing.
William F. Buckley and Gore Vidal were each other’s opposite because they were nearly identical twins in many respects. As a result, their 1968 confrontations would establish the template for televised political exchanges of the future.
Trump’s slash-and-burn march to the White House, one of the most stunning accomplishments in the annals of American politics no matter how loathsome the man may be to so many, ended the dynastic claims of two powerful political families: The Republican Bushes and the Democrat Clintons.
Roberto Durán made and spent millions, winding up broke, as most poor boys who became successful athletes do. During his salad days, he had a huge entourage, manzanillos, the “Panamanian slang for people who leech off the rich and famous,” as Durán puts it in his autobiography, to whom he gave away thousands a day. He drank, ate, whored, had children out of wedlock for which his wife forgave him. He apologizes for none of it. His autobiography is a defense of his life, an apologia, not an expression of contrition.
For Schlafly, Trump, as a personality, is clearly a break from the moderately conservative Republican nominees of the last few elections like Romney and McCain, which is part of Trump’s appeal. His crudity, his bluntness, and his bouts of incoherence are signs of authenticity, of an utter refusal to submit to the sensibilities of liberal/leftist zeitgeist.
In the days when it was a piece of furniture, TV was both the dark mahogany stranger in the house and the loyal companion, both threatening and familiar, something that seemed to control and something that seemed to transport. The mistake people today make is assuming that television audiences of 50 years ago were more naïve than they are today.
Both the LeDoux and Inoki fights are mere footnotes on Muhammad Ali’s athletic resume. Yet Paul Levy’s biography of LeDoux, The Fighting Frenchman, and Josh Gross’s exhaustive account of Ali vs. Inoki, give readers another way of looking at fights that elevated their importance, if not for Ali, then for the men who opposed him in these bouts.
Some grace notes to our original May 3 listicle of great films about jazz.
From Bill Withers’ “Grandma’s Hands” to Jack Yellin and Ted Shapiro’s “Life Begins at Forty,” music has our number when it comes to growing old.
Twenty films on, and about, jazz hit every note in the genre. And then some.
Pitch by Pitch is exactly what its title states: Gibson describes the first game of the World Series by recounting every pitch he threw in the game and why he threw it. (He also analyzes every pitch McLain and the opposition threw as well.) It is as detailed an account as a reader can ever get of how strenuous pitching is
The Magnificent Seven became a defining masculinist film in a way few other films of its era could match. No character emerged more stylized from the film that Brynner’s character Chris, and the film itself symbolized the liberal, consensus, interventionist politics of the Cold War era.
Beyond the photo, there is little known about Private Lewis Martin, also known as “Louis Martin,” but Heyworth seems to have found what little there is, and that little is actually of some importance.
There was something about Mayberry that evoked a kind of Southern nowhere-ness. It was the not the New South of Henry Grady, not the romanticized South of a natural and benign unequal social order like Thomas Nelson page’s. How could Mayberry be that when it had, amazingly, no black people?
I guest-edited an issue of Daedalus on American Music in 2013 and did not think I would revisit the subject quite so soon with this issue of The Common Reader on popular music. In some ways, it is quite fortunate that I have looked at the subject of music in such different forums so recently. […]
Despite a mountain of insecurities and sheer craziness, Peggy Lee remained undaunted. Engaging, and at times challenging, she made remarkably sophisticated music well into the 1980s, refusing to be an oldies act. But perhaps her greatest claim to public attention was that the blonde, North Dakota-born singer sounded black.
The reign of Frank Rizzo was also the era of the rising black political power in Philadelphia. Nowhere was the clash of racial interests more intense than the police department.
Two new biographies reveal that police work is not so simple and straight-forward—cops versus robbers, order versus chaos—as many might think. Those enlisted in the job of enforcing the law are more complicated in their impulses and motivations, more conflicted or contradictory as human beings about the meaning of what they are doing, than partisans of either side willing to concede.
A journey down the Mississippi River shows that our search for authenticity recedes forever. Like the horizon at the end of the mind, it is always just around the bend in the river.
As children, all of us thought that what made Believe It or Not so compulsively readable, so seductive, was the strange facts we learned. It was not until I was a bit older, a college student, that I discovered that this was not true, certainly not entirely so.
Americans were more fully aware that modern life, urban life in the late 19th century, made heat more unbearable than ever. As Salvatore Basile writes in Cool: How Air Conditioning Changed Everything: “America was realizing that a heat wave was much more unpleasant in cities than in rural areas: the larger the city, the more brick and stone and human bodies, the more hellishly hot it felt.” A man-made heat was being created that could only be controlled, ultimately, by man-made cooling. Slowly, inchoately, but tenaciously, the quest for coolth had begun.
The Common Reader’s inaugural essay by Lafcadio Hearn, one of the most acclaimed journalists of the 19th century. Born 1850 in Lefkada, Greece, Hearn became most famous for his writings about Japan. Before that, however, he was a well-known New Orleans journalist.
“Most blacks, without question, would rather be successful capitalists, however “exploitative” of land and labor, than wards in an egalitarian socialist state because, in the end, even members of a persecuted group, the dream is to have power, not justice. Or put another way, the acquisition of power becomes its own form of justice. The problem with Riley’s book is not its conservative message, but that the message is not sufficiently framed to appeal to black folk’s sense of racial destiny and pride. In short, it is insufficiently chauvinistic, less chauvinistic than the title promises.”
Jackie Robinson’s famous 1944 court-martial revealed not just the hierarchy of power in language, but also the tension between the U.S. Army’s efforts of integration and the ongoing struggle of black soldiers in their fight against Jim Crow.