Attendees of Socialism 2023, a four-day conference in Chicago over Labor Day weekend, wanted freedom from the existing system but admitted its dominion (the “dom” in “freedom”) and the movement’s current lack of large-scale agency in it.
Nothing is new, shocking, revelatory. All the lumps and bumps, moles and birthmarks, scars and stretch marks are on display, and the need to conceal your own drops away. Nakedness, done right, has no ego.
On Thursday, October 12, The Center for the Study of Race, Ethnicity & Equity will welcome Latine poets Roy Guzmán, Yesenia Montilla, and Matt Sedillo to Washington University in St. Louis for a panel discussion in celebration of Latine Heritage Month. The evening will focus on the poets’ use of poetry to fuel social change and how their work addresses race and identity. Ahead of the event, we were delighted to speak with two of the featured guests, Yesenia Montilla and Matt Sedillo, to learn more about their relationship with poetry.
In 2023, the Bond franchise celebrates its 70th anniversary. Very few franchises, with the exception of the Universal Classic Monsters and Godzilla series, have enjoyed such a long life in the popular media of film. Like them, the Bond franchise has seen many new beginnings that continually restart the property, perpetually reset it, and are bound to do so again.
While dismissed by Hollywood as a handy trend, Blaxploitation has earned a shaky status in the history of film and Black cultural history at large. The propensity to elicit loaded for or against debates has led to equally overwrought praise and scorn for these films. A half-century after Blaxploitation’s bombastic introduction, quick rise, and equally quick fall, we would do well to revisit, and reconsider, those films that best exemplify the still prickly term.
I decided that I wanted to write a commentary that focused on Black conservatives. One reason for this was obvious: Supreme Court Justice Clarence Thomas is one of the most famous (or infamous, take your pick) Black conservatives in the country. I was certain that if the court overturned college admissions affirmative action, Thomas would write the majority decision or a lengthy concurrence. He did the latter.
Duke Fakir’s life determination radiates throughout I’ll Be There: My Life With The Four Tops. From arriving early in high school, hustling up the group’s first uniforms, managing the group’s funds, and now preserving the group’s legacy.
Riding coach on Amtrak today is more like taking a nice bus. No doubt I will arrive weary, disillusioned and, as the Victorians put it, “travel-stained.”
Funeral sermons for poetry seldom discuss, in detail, a single poem. This is a problem of reception, not of poesis, or making. I offer, here, under a perhaps too-pithy conceit, the antidote: a hyper-close, even seemingly rudimentary, close reading of ten poems from the past ten years that I believe offer glimpses of the most vital work in today’s poetry.
This essay is a transcontinental flight with several stops—from Harriett Quimby’s 1912 flight across the English Channel to the 1981 PATCO strike that nearly brought American aviation to its knees. In between we learn about a Tuskegee airman who became a POW and a bit about children’s books that deal with aviation.
