When recognition is embodied, it is nearly impossible to ignore.
Identifying racism is an important step in stemming its tide, but we (and I speak specifically to white people) must be willing and able to consider that racism might look and sound like ourselves.
Diacritical marks might seem like a tiny blip in the larger picture of tumultuous politics and proposed policies that actively harm our minority populations, yet they serve as a reminder of our important presence and contribution to this nation.
Commentators have debated for almost a century the reasons why America entered the First World War. In the wake of the centennial observance, a raft of new books on the subject has appeared. Together they contribute information and interpretations that challenge readers to rethink their ideas about the subject and its significance for understanding present predicaments.
Facts, events, and otherwise little-known bits of information that garland the eighth month.
One politician, once revered and adored, continues his charge to reclaim Brazil’s presidency while facing a 9.5-year prison sentence. The other, a struggling president, maneuvers his way around allegations as he salvages what is left of his presidency. Either way, for both, the clock is ticking.
Despite the easy, pseudo-feminist promotion of Diana as “strong,” Wonder Woman director Patty Jenkins ultimately created a character who can contain a multitude of expressions that can simultaneously reinforce and disrupt typical gender norms.
With enormous potential, and once heralded as a new global superpower, Brazil proves time and time again to be a house of cards. Just as the country seems to find its way, something shakes, and the whole darned thing comes tumbling down.
I now think about my mother every day. I did not do this before she came to St. Louis to live. There was, in fact, a stretch of years when I did not think about her much at all …
Theories of mistakes in jazz scholarship helps us understand the ways in which mistakes in jazz performance are valued by audiences and performers—and the ways in which they are not.