The Re-Possessed
Ursula K. Le Guin storms the Library of America.
April 30, 2021
More by Jason P. Vest
How Super Is “Supergirl”?
The online haters celebrating what they gleefully consider its downfall simplify the matter in the way such misogynists always do: “Supergirl” 2026, in their view, is simply a bad film. The problem with this perspective is that “Supergirl” 2026 is not a bad film.
How a ’60s Sci-Fi Television Series Boldly Spawned the Mythology of Our Time
‘Phasers on Stun!’ may not make future efforts at assembling a franchise-spanning overview of Star Trek obsolete, but Britt’s comprehensive approach makes such labor redundant, at least for now. He analyzes, anatomizes, celebrates, and criticizes every extant Trek television series and film in sometimes granular detail, making ‘Phasers on Stun!,’ despite its sloganeering subtitle, too accomplished to ignore.
Gunn Control
James Gunn’s Superman gives his film’s Man of Tomorrow three notable speeches—one about kindness, one about respect, and one about honor—that, in any normal year, would make every eyeball in the theatre roll back into its socket.
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Untitled Pictures in an Exhibition
The untitled photograph is not merely a breach between memory and hope, but rather an invitation to inhabit that breach from a distance.
Journey to the Crossroads of America and the Hope of Obama Land
Can this controversial, privately funded $850 million center—dismissed by many as a vanity project, architectural folly, and dangerous precedent—really shore up democracy?
Remembering Richard Wright, Outsider
Richard Wright has in common with Thomas Hardy that the plots in his fiction are sometimes intricate to the point of distraction, and the events he depicts are often sensational, sometimes to a fault. His novels published after “Native Son” have much to recommend them. Still, “Native Son” and “Black Boy” stand as his most enduring achievements. They capture the isolation from mainstream society that is the reality of many young Black people, in the time of Wright’s youth and in our time.