The Prejudice Young People Have Made Their Own
People worried sick about bigotry used to murmur, “Our hope is the young people.” Now the opposite is true.
People worried sick about bigotry used to murmur, “Our hope is the young people.” Now the opposite is true.
The skies are gray, but a drive from St. Louis this week through the windswept fields and windmill farms of Illinois was pleasant, as was the cinnamon-scented fellow at the front desk of a River North hotel in Chicago, who welcomed us to town.
Sometimes we come across news reports so sad, photographs so jarring, or art and speech so moving, that we know we should, could, or might cry or scream in response. But we cannot. Instead, we cry or scream because we know we cannot, or will not, cry or scream. On some level, this means that Patti Smith has penetrated my soul despite assertions to the contrary. Perhaps that is what makes her “punk.”
Making sounds in unison tells the world we are united; it reminds us of what we share, not where we differ. It also releases enough endorphins to smooth over any doubts.
He understands “the impossible human experience of just trying to get through the day with everyone you love being somewhat OK at the end of it.”
Wanting answers, we create reductions: I am. She was. The administration will.
Humiliating as this is, I fell for it. In the video ad, a woman of my certain age, aglow with enthusiasm, confided that she had discovered her Fashion Archetype. Before I could stop myself, I clicked the quiz link. What might my Archetype be? Bold? Romantic? Early jumble, I suspected.
He seemed almost happy. Maybe because the river, the night, and the freedom felt good to him. He played one of his favorite songs, “My Girl” by the Motown group The Temptations, music from his youth before he went to prison.
Heritage is collective, aesthetic, and performative. It is something you inherit. Whereas history, on the other hand, is authored, linear, personal. It is something you produce. Museums often allow Africans the former but not the latter. Our art is heritage; European art is history. Our works are culture; theirs are achievements.
There is one blissfully egocentric, thrilling moment: I am introduced as “the talent.” Granted, I ruin the moment by snorting and warning the sound studio team that I have never recorded anything before, let alone an entire audiobook. They nod; they are already braced for an amateur. “The talent” is…