Pipes’s book works hard at making Nixon-in-winter a true conservative as he emerged from his worst days of physical and emotional wreckage after leaving Washington to become a kind of consul without portfolio, the eminence grise of the Republican Party.
The promise of intimacy offers one path to follow through Thomas’s book. An additional path rests on O’Connor’s gender—which made her “first.”
The true beauty of A Good Cry lies in Giovanni’s ability to move between a range of sentiments, doing so in the most poignant of ways: by saying it plainly and direct.
The more you sit with these poems, the more they show their multivalence as they explore the complexities of our fast-paced, media-saturated 21st century.
Superfans’s profiles are powerful and compassionate narratives of the men and women who identify as such, but they are not particularly insightful considerations of the broader ramifications of fan behavior.
The sweeping title of the book promises much. Its author delivers both a bit more and a bit less.
It is useful and maybe refreshing that a new book by Steve Paul allows us to meet a pre-monumental Ernest Hemingway.
This America takes on academic historians for abandoning liberalism in the 1960s, when scholars became enamored with globalism and stopped writing about the nation’s history.
For anyone interested in a glimpse of one of the greatest musical minds of the 20th century—and the divine spark that ignited his remarkable career—Ennio Morricone: In His Own Words is an excellent place to start.
Readers hoping for a focused case study of the rise and fall of the Appalachian way of life will be disappointed. Instead, Stoll moves frequently among a history of the global rise of capitalism, discussions of Appalachia, and comparisons with other subsistence communities destroyed by the rise of industrial business practices.
