When Italian carmaker Enzo Ferrari declared the 1961 British Jaguar E-type sports car the most beautiful car ever made, it was a rare instance of a functional design object coming to be seen as a work of art. Thirty-five years later, Ferrari’s assessment was vindicated when the original Jaguar E-type was put on display in the Museum of Modern Art.
How exactly the world was killed might be a mystery, but the who seems all-too-obvious: men. Men and their consuming hunger for more power and more speed.
I am among the hopeless and deluded dreamers David Clewell believed in, and so I choose to believe that there is a starship in the sky that touches down and takes away great poets who were perhaps not as widely celebrated on Earth as their work deserved.
How we think about sin changes over time—and how it changes reveals quite a lot about us. This is true across many religious traditions, but since Roman Catholicism is a vast repository of thought about sin and its sacramental erasure, I start there, like a drunk looking for keys under a streetlamp, to see how sin has evolved.
A friend told me he would visit a Chuck Berry house museum if it was filled with guitars. I said it was likely never filled with guitars when Berry was starting out, and it was important that the music came despite (or due to?) a lack of things.
Camp is brilliant at introducing irony where it once did not exist, but now irony exists everywhere; its distance and layering are our habitual mode of perception, absent only in cults and Waldorf preschools. What role is left for camp to play?
Until I brushed up against those 300-million-year-old ferns, I thought of coal and pollution and global warming as a single, dense lump of worry, uncomplicated by history or irony.
Near the site of a teahouse for weary travelers in Bashō’s time, now wilderness, something big crashed around in the brambles and vines on a slope, under which I could hear a stream burbling. Then there was birdsong and a light-filled clearing. I did not want to spend the night with my audience.
Today’s Gen Z youth have created a culture of hybridized nostalgia—an aestheticization of past fashions and lifestyles filtered through a modern lens.
When the sacred geometry of the Persian carpet was replaced by tanks, weapons, and bombs, westerners were fascinated. But how do the women who weave them feel?
