Archtypes: Hook-Ups
The Dogs' Office
By Sacha Mardou
January 4, 2018

The Dogs' Office
By Sacha Mardou
January 4, 2018

Friends of Vintage Flight must make strategic decisions when they choose a project, based on the group’s capabilities, the condition of available aircraft, and their historical significance. The Curtiss Robin has a fascinating history as one of the most commercially successful aircraft of the period between the world wars, and began production the year after Lindbergh made the first solo trans-Atlantic flight in 1927.
As I was being vetted, administrators asked what I would do if my Ukrainian partner wanted to talk about hardships and loss. I said I could listen. What else could I do?
I stressed I was not interested in joining their group but would like to write about their outdoors training, if they would let me, or else we could just say we had had a nice lunch, and I would go on my way.
“Who do people say that I am?” Jesus asks, and everyone has a different answer. King, prophet, peasant, rebel, son, shepherd, rabbi, redeemer—to this day, Jesus is what each of us needs him to be.
As I was being vetted, administrators asked what I would do if my Ukrainian partner wanted to talk about hardships and loss. I said I could listen. What else could I do?
Because I worked for Ray at “The Riverfront Times” for 18 years, my thoughts immediately turned to the many other “RFT” alums who loved and admired him. Over the next several weeks, I contacted more than 50 of my old colleagues and asked them to contribute remembrances of their often life-changing time at the “RFT” and to reflect on Ray’s impact on both them and St. Louis. Almost everyone said yes, and this tribute is the result. —Cliff Froehlich
By Gerald Early
Other books examine the same subject, though none are quite the same sort of synthesis this book is, a massive history that reads a bit like a massive novel. Indeed, as the accumulation of detailed narrative mounts, the reader finds it more unreal and unfocused, as if, as George Orwell said, in Asia, the closer and more finely tuned the view, the vaguer it gets.
By Gerald Early
It can be argued that Superman is a fascist symbol, or that he is a reworking of Jesus Christ or the American tall-tale hero, that he embodies the myth of the American Century, the Age of the American, or that he symbolizes the hegemony of American overreach and dominance. He is the quintessential American and the ugly American in the world of the right and the left.
Journalist Sam Tanenhaus has provided a warts-and-all look at the most consequential figure of modern conservatism who never held office. Despite its doorstop-worthy length, Tanenhaus’s book offers a masterful example of how to capture a man and his era.