
Why The Fiddler Sticks
It may be mere schmaltz from the shtetl, but the story and songs of Tevye, his daughters, and life in Anatevka has shaped Jewish identity to a surprising degree.
It may be mere schmaltz from the shtetl, but the story and songs of Tevye, his daughters, and life in Anatevka has shaped Jewish identity to a surprising degree.
In life and in music, The Prisonaires never got the justice they deserved. John Dougan’s new book The Mistakes of Yesterday, the Hopes of Tomorrow works to even that score.
David Kilcullen’s new book predicts the future of armed conflict through terrorism’s recent past, and with the city as its stage, but Out of The Mountains is best when it’s analyzing, not prophesying.
Stanley Crouch gives us the best biography yet of Charlie Parker, the first jazz musician to let the saxophone lead the way, and the seminal musician who could make his horn sound “sweet,” yet “devoid of pity.”
A new biography of Louis Armstrong refuses to draw a firm distinction between art and commercial entertainment, and argues that Armstrong himself made no such distinction, indeed would hardly have understood it.
The Earth moves in mysterious ways, and even once altered the flow of the Mississippi River. Conevery Bolton Valencius’ new book on Missouri’s New Madrid fault shows how those tremors spread through culture and history. Read it, and be prepared when “The Big One” next hits.”
Alan Dershowitz’s autobiography may have you searching for an exit, but not before submitting to the gargantuan pull of his self-regard, and hard-earned status as a lawyer of legend.
Kevin Cook writes an informative, insightful biography of Comedian Flip Wilson, the first black entertainer to successfully host a TV variety show. Gerald Early reviews Flip: The Inside Story of TV’s First Black Superstar.
The short, but dense, Something to Chew On serves up no-nonsense, stimulating fare over a range of food controversies, from GMOs to weight-loss and world hunger. Digest it if you dare.
Working against sometimes clunky prose, but with an eye on posterity, Washington D.C.’s most (in)famous mayor tells his story of power, the temptations of power, and his legacy forgotten amidst scandal.