Blogging the 2024 DNC
The Common Reader goes to Chicago to check in with the Democratic Party.
The Common Reader goes to Chicago to check in with the Democratic Party.
Patty Hearst was a rich man’s lost daughter, a damsel tied to the railroad tracks. Two months later, she was Helen of Troy. For young people, she became a transgressive idol, a young woman with the courage to break away from privilege and propriety. For nervous parents, she was a warning siren. For the FBI, she was a likely traitor and a pain in the ass. This was the nation’s first political kidnapping, and the simultaneous celebrity and nonentity, radical symbolism and girlish innocence, fascinated people.
Macoupin County, Illinois, which holds Virden and Mt. Olive, has other important labor sites. But Mother Jones’s grave and two-story granite monument on the outskirts of Mt. Olive might be seen to mark a split in the soul of working-class America that is still evident in our nation’s division.
Greenwood Cemetery welcomes historians just as it welcomes first-grade classes learning about significant people in history. It welcomed Shelley and Raphael Morris in 1999, now leaders of the cemetery, and it welcomed me in the summer of 2023 as I sought to learn more about this burgeoning Saint Louis stronghold.
Dempsey’s website claims “[b]oth artists share a studio” near Chicago’s Loop, but as with so many things, this is a goof. John Dempsey and Billy Tokyo live and work in the same mind. In broad strokes, the difference between the styles of John Dempsey and Billy Tokyo is that Dempsey’s paintings are abstract—arcs and loops given depth by layered media—and Billy Tokyo’s are figurative (“but ‘Pop-py,’” Dempsey insisted) with distorted settings.
The word “stories” was used often at the annual NABIP Capitol Conference, held in the Hyatt Regency Capitol Hill, Washington, DC, February 25-28, 2024. I went because I have my own stories of frustration with health care, and because I am interested when someone seems ready to try to make things better in the largely incomprehensible and vaguely menacing system we all rely on.
Opera aficionados and many St. Louisans already knew about her. Somehow, I did not. Being in Bumbry’s presence magnified my own desires to pursue the creative arts, travel the globe, and know more than one language. Very much like another famous St. Louisan Josephine Baker, Grace Bumbry’s life and story shattered the limitations of what is possible for Black Americans.
The delight and danger of swaying others
Rocks and stones are reality agents, signifying only their own existence. Irreality stems from perception, thought, and language. In this respect, stones are easy; people and their choices are hard.
Nothing is new, shocking, revelatory. All the lumps and bumps, moles and birthmarks, scars and stretch marks are on display, and the need to conceal your own drops away. Nakedness, done right, has no ego.