Nineteen sixty-six was the last year of the family outings to Atlantic City. Things were changing. The world was changing. My family was changing. A moment may feel endless but never is. I was a teenager; everything was sharp and awkward.
We have used horses to do our work, fight our battles, race for us, carry us. It is the few that still run wild, though, that send a thrill down our spines. We have no claim on them, yet a long and regrettable history has placed us in a position where we must “manage” them. Now, like newlyweds, we have to learn how to be part of their lives without changing who they are.
Any minute now, all this technology will be mass-produced and affordable, transforming what are now sex dolls with AI heads atop their silicone bodies into the sex robots of science fiction, so sophisticated they are easy to mistake for a human. And then? Will men still bother with real women? Or will they prefer a projected fantasy to a more demanding reality?
An eyewitness account of the end of the engrossing first act of the Standing Rock movement.
For almost every metropolis—and even a few towns—with streets, neighborhoods, and businesses there is a song with melody, harmony, and a beat.
The famous American playwright left St. Louis, but St. Louis never left him.
What keeps us together, and what tears us apart.
The story of Delyte Morris and the Southern Illinois University he created is what Robert A. Harper calls “a story of unlikely success and a tragic end.” It does read like an American tragedy, somehow, based in a rustic start, ambition, ingenuity, and the fallibility of good intentions.
WWII’s most famous correspondent, a combat nurse, and the need to remember our sacrifice.
