More than ten thousand species are now critically endangered. Humans have clear-cut forests, paved grassland, overharvested, overfished, and overhunted. Much of the existing ground is being strangled by honeysuckle, kudzu, vetch, cheatgrass, and various exotics. Can we get a second chance?
Reverence, serenity, and compassion, courtesy of a mushroom? Well, what would be wrong with that? Humans are a broken species. Negative emotions wired into us for survival have run amok in times we call civilized, and now we hunt, or at least hurt, one another. It would be lovely to think we could all meditate our way to wholeness. But why not speed the process?
This island is extraordinary, and indifferent to that fact. The past is alive wherever you turn, though with few historic markers and little protection. Artifacts, ruins, and human remains have been tossed aside, laid claim to, or layered over, yet they refuse to be erased.
Why does art ease our minds? I think because it takes us away from words. It lets us express what words cannot. There is mischief in creation, after all. You are plotting and scheming, not mindlessly obeying.
Seneca said we each dwell in two communities: the place of our birth, and the community that “is truly great and truly common, in which we look neither to this corner nor to that, but measure the boundaries of our nation by the sun.” I would far rather be a citizen of the world than, by accident of birth, an American. I feel disloyal writing this.
Qusay Hussein Al-Mamari gives advice regularly: so much was so hard for him, and he knows how to make it easier for other people. “Whatever you are going through, say, ‘Everything has an ending.’ We have a date to die, our food expires, a building will one day collapse. So whatever situation you’re in, it will have an ending. One day, it will be over. So there is no need to stress about life. And for any person who does not see that life is beautiful, please do not make it hard on other people.”
If someone you love dies, there will be nothing more tenderly, heartbreakingly intimate than their oldest pair of sneakers. Shoes that dashed them through rainstorms, won and lost games, bounced with eager impatience, knotted stubborn in airport security lines. They have been stretched and pounded into a shape no manufacturer ever envisioned. They smell of sweat and earth and freedom.
To new generations, the secrecy of the past is often baffling. A secret is a woman laced so tightly into her velvet gown that she cannot breathe or speak. We show up in jeans. Carl Jung called secrets “psychic poison”: they isolate the keeper of the secret, require lies, breed distrust, and become the unwanted inheritance of a generation bewildered by the need to keep them.
No editor would let a resurrected Tom Wolfe write the way he once did. But it was that breathless spew, uncensored though artful, that let him reach us. Now we only get that much animation from rogue or ranting podcasters and columnists, and it comes soaked in instantly recognizable political bias.
Prayer attempts to control—or at least come to peace with—the uncontrollable. It is an aspiration but also an assent: you are believing in something, acknowledging something, hoping for something. You have given shape to what is amorphous and uncertain. Psychologically, prayer is a survival tactic.