All the Young Men became my equivalent of Burt Lancaster’s The Flame and the Arrow, the Black boy’s fantasy movie about an impossibly heroic person, an impossibly competent person, who fights for king and country. Poitier’s character made me proud to be an American, made me feel as if I was an American without any hesitation or crippling doubt.
Millan had some of the same challenges as Black actor in dealing with certain types of “minority” roles, but he also had some advantages in getting more roles. Latino actors were often all-purpose “minority” actors, playing East Indians, Native Americans, Spaniards, Mexicans, any of a wide swath of so-called “people of color.”
I was so stunned the first time I heard “And the Glory of the Lord” that I thought I would faint. My heart pounded like a runaway train. It was for me at that young age the most beautiful thing I ever heard in my life. And I heard it that day and thought, “If I could be a Christian as beautiful as that music; if I could, as a Christian, help make the world as beautiful as that music, that would be something!”
As all the commentators have noted, "Goldfinger" provided the template for future Bond movies. First, a title song played over the opening credits. Second, a pre-credits action sequence which has become the sine qua non of the Bond movie. Third, "Goldfinger" made technological and mechanical gadgets a permanent aspect of the Bond film effect.
I was not conversant with bell hooks’s works and I thought, as hooks was such an important feminist, that probably a woman should do this. But I was pressed into service despite my misgivings.
Alan Freed became one of a handful of White DJs who pushed rhythm and blues on his show, becoming such a force in the industry that he could almost make or break records with his airplay and he could influence how the independent record companies who produced R & B, rockabilly, and rock and roll, dealt with their artists by recommending performers to certain labels. His influence was monumental.
Reading Shirley Chisholm’s 1973 book “The Good Fight” was something of a revelation for my students, as it offered not just an insider’s view of Black political thinking and organizing in the early 1970s but also a look at how a major institution like the Democratic Party operates and how difficult it is to mount what was in Chisholm’s case a true insurgent candidacy.
Gene Mauch taught me something about the pain and inevitability of losing, the harshness of fate, the indifference of the gods to your pleas. Sometimes losing can have a bigger impact on you than winning.
On this Veterans’ Day, Shirley Graham Du Bois might be remembered in her own right as a veteran of some important battles in a long war.