If you wish more records sounded like the Moody Blues, Jefferson Starship or John Cale of the early 1970s, you should be listening to Harry Arader. The grooves, chord progressions, harmonic intervals, and guitar licks all would sound at home on album-oriented rock.
“White Man’s Burden” is the belated lesson of empathy taught by a substitute teacher with one message and 90 minutes of time to fill. Its most valuable lesson is that, having watched it, we are reminded that millions of people endure not just 90 minutes of condescension, oppression, and racism projected on a movie screen, but a lifetime of all three.
A real tree is a sacrifice, a once-living being nailed to its stand, bleeding sap, a star on its crown. The artificial tree has no smell, no bark, no particularity. It never faced a north wind or nurtured a cardinal.
All of the men profiled in Ron Cooper’s book have been trained to be Santa, have been taught how to talk to children, to put nervous children at ease, and to make misbehaving children less truculent. They have been taught how to deal with difficult or awkward requests or wishes. It takes some dedication to be Santa. Maybe we all need to take a bit of instruction at a Santa school.
Each year, as the Christmas season approaches, I find myself instinctively measuring the present against a backdrop of my Ghanaian childhood.
What was once America’s fourth-largest city remains an enigma consistently met with collective ambivalence. There is a dark side to the city, especially when it comes to racial disparities. Historically, decades of oppression have left a bad taste in the mouths of many Black St. Louisans.
The mass exodus of Black St. Louisans in recent years continues to raise eyebrows and stir concerns that question where longtime residents are going, but mostly, why they are leaving.
The fact that a place like Greenwood had to exist in the first place reveals much about the profound implications of racial dynamics at the time. The history of its desecration and neglect, followed by the necessity of its revival, poignantly illustrates the enduring struggle and resilience of African Americans in our pursuit of equality and acknowledgment.
McClearen argues that the marketing and branding success of the Ultimate Fighting Championship (UFC) was in great part made possible by sociocultural, technological, and political conditions that provided an ideal landscape for realizing success in building the promotion. Fighting Visibilityis McClearen’s assessment of these conditions, showing how the UFC aligned itself with dominant ideological messages and neoliberal logic, as well as movements of identity activism, to create a powerful sports business enterprise.
With two “Notable Essays” selected for inclusion in this year’s Best American Essays anthology, plus landings in top Internet aggregators such as Longreads, 2023 was a banner year for The Common Reader. Here our staff goes one field further, naming five personal favorites published by the journal this year, along with five favorite cultural moments from the wider world of books, film, documentary works, podcasts, and food.