“Grown In The Light”
Archtypes by Sacha Mardou
By Sacha Mardou
May 8, 2015
More by Sacha Mardou
Winning and Losing at the Great Game of Intimacy
What to call this Anton Chekhov, whom I first encountered in 1988? The Master, perhaps—of vision, decency, modesty, and industry, and, one might hope, in the old game of love.
“Even a Nobody is More Powerful Than You Think”
Predictably, a court in Russia banned the documentary film “Mr. Nobody Against Putin,” ruling it “propagates extremism and terrorism”; Russia has named Talankin, the film’s main character, a “foreign agent.”
The Friends of Vintage Flight Visit St. Louis
Friends of Vintage Flight must make strategic decisions when they choose a project, based on the group’s capabilities, the condition of available aircraft, and their historical significance. The Curtiss Robin has a fascinating history as one of the most commercially successful aircraft of the period between the world wars, and began production the year after Lindbergh made the first solo trans-Atlantic flight in 1927.
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The Lessons America Has Taught Me
Fox News Channel’s political anchor Bret Baier’s new book, “The Case for America,” is just in time for the 250th anniversary season. It feels a bit hasty in its composition, which gives a reader the sense that it was a book aimed at a ready market: people who want a book that is positive about the United States at this particularly divisive juncture, when many think the country is on the verge of its third political divorce.
How, After World War II, Vietnam Became the Graveyard of Empires
Other books examine the same subject, though none are quite the same sort of synthesis this book is, a massive history that reads a bit like a massive novel. Indeed, as the accumulation of detailed narrative mounts, the reader finds it more unreal and unfocused, as if, as George Orwell said, in Asia, the closer and more finely tuned the view, the vaguer it gets.
The Man of Tomorrow, a Creation of Yesterday, Meets Us Today
It can be argued that Superman is a fascist symbol, or that he is a reworking of Jesus Christ or the American tall-tale hero, that he embodies the myth of the American Century, the Age of the American, or that he symbolizes the hegemony of American overreach and dominance. He is the quintessential American and the ugly American in the world of the right and the left.
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Archtypes: Hook-Ups
"The Dogs' Office"
Archtypes: Digital Aging
When the aged enter the realm of digital virtual reality.