D.B. Dowd served as project leader for the Society of Fellows at the Norman Rockwell Museum in Stockbridge, Massachusetts, 2017-19. Dowd’s recent essays include “Everyman, Meet Somebody: Characterization and Melodrama in Rockwell’s Four Freedoms,” a catalogue essay in Enduring Ideals: Rockwell, Roosevelt and The Four Freedoms, (Abbeville Press, 2018) and “Nostalgia Illustrated: N.C. Wyeth, Advertising, and American Cultural History” for the Brandywine Museum retrospective, N.C. Wyeth: New Perspectives (2019). His book A is for Autocrat: A Trumpian Alphabet, Illustrated (Spartan Holiday Books, 2020) won a national gold Addy award from the American Advertising Federation in 2021.
‘Phasers on Stun!’ may not make future efforts at assembling a franchise-spanning overview of Star Trek obsolete, but Britt’s comprehensive approach makes such labor redundant, at least for now. He analyzes, anatomizes, celebrates, and criticizes every extant Trek television series and film in sometimes granular detail, making ‘Phasers on Stun!,’ despite its sloganeering subtitle, too accomplished to ignore.
James Gunn’s Superman gives his film’s Man of Tomorrow three notable speeches—one about kindness, one about respect, and one about honor—that, in any normal year, would make every eyeball in the theatre roll back into its socket.
Given how busy we all are, particularly as the pandemic recedes, perhaps we should thank these lists (and their makers) for not wasting our time or abusing our goodwill, but instead helping us hack our way through that ever-growing thicket of anime, books, films, podcasts, manga, radio shows, stage plays, television series, video games, and the endless number of other cultural productions we feel honor-bound to track despite this impulse being a forever-frustrated wish that, to switch metaphors, cultural capital’s always-hungry maw ensures will never be satisfied.
On this day, the fortieth anniversary of his untimely death, I come to praise Philip K. Dick, not to bury him.
On the anniversary of his departure, a tip of the hat to Uncle Norman, whose latter-day appeal to the contemporary MAGA crowd ought not be held against him.
My esteem for Peter Jackson has limits even if, in my judgment, he remains a remarkable poet-director. Commemorating his birthday calls forth warm feelings and happy memories, but, to understand his artistic strengths, we must also acknowledge his weaknesses.
Ursula K. Le Guin created an alternate history for our wayward species so suitably epic in scope, theme, and detail that it rivals anything Isaac Asimov, Arthur C. Clarke, and Robert Heinlein conjured during the so-called Golden Age of Science Fiction.
Ursula K. Le Guin storms the Library of America.
The woman who began her career as a fashion model for Ebony and Jet magazines, who married (and divorced) jazz trumpeter Miles Davis, and whose love of Black people, especially Black women, made her into an activist for most of her long, long life developed her craft so exactingly that she reigns as one of the greatest artists America has ever produced (or ever will produce).
Make no mistake, Octavia E. Butler was among the greatest American authors of the twentieth century. The intervening years have seen Butler’s work reclaimed by literary critics, scholars, and the reading public at large, but the fact remains: She was always terrific, even when too few people affirmed this judgment in the public square.
As I made my way through the book, I resisted the urge to cherry-pick essays by my favored cartoonists and writers, plowing straight through, which is probably the wrong way to read this book.
Doctor Who, “Resolution” New Year’s Special 2019 Written by Chris Chibnall Directed by Wayne Yip Starring Jodie Whittaker, Tosin Cole, Mandip Gill, and Bradley Walsh Guest Starring Daniel Adegboyega, Nicholas Briggs, Nikesh Patel, and Charlotte Ritchie Original Broadcast 1 January 2019 (60 minutes) Doctor Thirteen faces her oldest…