
While dismissed by Hollywood as a handy trend, Blaxploitation has earned a shaky status in the history of film and Black cultural history at large. The propensity to elicit loaded for or against debates has led to equally overwrought praise and scorn for these films. A half-century after Blaxploitation’s bombastic introduction, quick rise, and equally quick fall, we would do well to revisit, and reconsider, those films that best exemplify the still prickly term.
I decided that I wanted to write a commentary that focused on Black conservatives. One reason for this was obvious: Supreme Court Justice Clarence Thomas is one of the most famous (or infamous, take your pick) Black conservatives in the country. I was certain that if the court overturned college admissions affirmative action, Thomas would write the majority decision or a lengthy concurrence. He did the latter.
Duke Fakir’s life determination radiates throughout I’ll Be There: My Life With The Four Tops. From arriving early in high school, hustling up the group’s first uniforms, managing the group’s funds, and now preserving the group’s legacy.
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