Chicago hosted the Democratic National Convention again in August 2024, and if one were going to connect city and convention in some essential way as Mailer intended, an updated metaphor would be needed. Forty-five-year-old Norman Mailer would have hated the choice of something “corporate,” for its connotations: intangibility, unaccountability, absence, abstraction, hiddenness, hardly a way to know where the heart even sits.
The best last lines stay with you long after you close the book—some like a welcome sip of fine cognac at the end of a delicious meal, and others, while not neatly wrapping up the story, stirring you to imagine what might happen next.
As soon as you can reach high, grab the shiny doorknob, and toddle outside, you see what your homeworld actually looks like. Odds are, it will be the first thing you draw: a box with a triangle on top, two square eyes to let the sunshine in, a tall door to let your friends in. It is your kangaroo pouch, familiar and comforting when the rest of the world is strange.
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