Netflix’s megapopular Narcos series romanticizes Pablo Escobar’s Colombian cartel by effectively distancing the international drug trade in time and place. Bu like the narcoticizing effect of the drug Escobar traded in, gripping television should not lure us from the drug problems of our here and now.
What happens to the body in technologically-mediated live performances, particularly those that continue to be defined as jazz by many audiences? The music of Herbie Hancock, in many ways, answers that question.
In some ways, the current wave of African-American football players kneeling during the National Anthem replicates the Bebop revolution that changed the public persona of the black male jazz musician. Now it is black players demanding that audiences recognize that their attitude is not the same as their white peers.
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