Writing for The Atlantic, game designer and Washington University media prof Ian Bogost calls “metaverse” “a sexy, aspirational name for some kind of virtual or augmented reality play.” Also: “a fantasy of power and control.” Which seems to be the key.
I was so stunned the first time I heard “And the Glory of the Lord” that I thought I would faint. My heart pounded like a runaway train. It was for me at that young age the most beautiful thing I ever heard in my life. And I heard it that day and thought, “If I could be a Christian as beautiful as that music; if I could, as a Christian, help make the world as beautiful as that music, that would be something!”
As all the commentators have noted, "Goldfinger" provided the template for future Bond movies. First, a title song played over the opening credits. Second, a pre-credits action sequence which has become the sine qua non of the Bond movie. Third, "Goldfinger" made technological and mechanical gadgets a permanent aspect of the Bond film effect.
For centuries, the humanities have been taught with texts and lectures; art history with slideshows and lectures; the sciences with experiments and lectures. Then came VR and AR. And now, professors who have never felt the slightest desire to play a video game are downloading VR software, begging for I.T. help, and teaching their students—and themselves—how to construct worlds within worlds.
We lose our hair (and supposedly, our libido) with age, so that was my first suspect. I stood in front of the mirror, my wet hair combed and parting itself all over the place, lines of pink parceling out my head as though platting it for a subdivision.
There is magic in ancient, little-used languages. Like rusty gates to a secret garden, they invite you into an extraordinary experience. Why do so many beautiful traditions become tainted by the flaws and confusions of the next era?
I was not conversant with bell hooks’s works and I thought, as hooks was such an important feminist, that probably a woman should do this. But I was pressed into service despite my misgivings.
Alan Freed became one of a handful of White DJs who pushed rhythm and blues on his show, becoming such a force in the industry that he could almost make or break records with his airplay and he could influence how the independent record companies who produced R & B, rockabilly, and rock and roll, dealt with their artists by recommending performers to certain labels. His influence was monumental.
Before Homer G. Phillips existed, Black St. Louisans often had to climb on a bus, feverish or in pain, and ride halfway across town, not knowing what attitude a White doctor might take toward them. Many had recovered from surgery in Ward 0400, a segregated surgical ward for Blacks in the basement of Barnes Hospital.
Films for the Festival do not have to include entire poems or use poems as scripts; they can also be documentaries about poets or poetic forms, or they can experiment with images and soundtracks inspired by poetry.