Dispatches

Technology and Stories

The change in film technology is another of those things, like the technology of warfare itself, that sometimes leave us agog, like British Army officers sitting atop camels in a desert and watching one of the first biplanes fly past.

The Slow Joy of Guarding the Metropolitan Museum of Art

Bringley’s gift is to make the scholarly approachable—and delightful. In that decade at the Met, he developed a method. Rather than hunt for some extraordinary characteristic highlighted by the experts, he does nothing, just stares, spending those first minutes in a work of art’s presence by absorbing all he can without attaching any initial judgment, and he refuses to worry about what the art-world elite think.

A Brand Ends But the Idea Remains

Anchor Steam was part of my first awareness, in the 1970s, that different traditions were at work elsewhere, and that people who might know such things believed those traditions and processes and products were superior to what mainstream corporations provided on a much bigger scale.

Encountering ‘The Bear’

While “The Bear” has been nominated for comedy awards, and Jeremy Allen White has won some of them, there is a dark streak of pain not easily reconciled to the comedy of situation and its quirky characters, even in the sense of “tragicomedy.”

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