Todd Decker is associate professor of music at Washington University in St. Louis.
Friends of Vintage Flight must make strategic decisions when they choose a project, based on the group’s capabilities, the condition of available aircraft, and their historical significance. The Curtiss Robin has a fascinating history as one of the most commercially successful aircraft of the period between the world wars, and began production the year after Lindbergh made the first solo trans-Atlantic flight in 1927.
As I was being vetted, administrators asked what I would do if my Ukrainian partner wanted to talk about hardships and loss. I said I could listen. What else could I do?
I stressed I was not interested in joining their group but would like to write about their outdoors training, if they would let me, or else we could just say we had had a nice lunch, and I would go on my way.
In the end, the only thing to be done with a movie like this is to throw it to the wolves of Reddit.
A few days ago, a man in Memphis messaged me by LinkedIn to ask if I was the person who had offered to help him market his book. When I said no, he showed me the email that offered to make his novel a smash hit.
The women of Lota, Chile, or Lotinas, represent a long feminist movement to preserve cultural memory and reinvigorate the economy of their city. At the end of March 2026, they flew more than 20 hours to be in residency for a week at the University of Illinois Urbana-Champaign (UIUC), where they led workshops on art “as a tool of historical storytelling and civic activism.”
Poetry is a different embodiment in words of the experience of being human. AI does not (yet) understand the mysteries, perspectives, uncertainties, and feelings—the experience itself—of inhabiting a body in the physical world.
The impulse is to think that someone who makes plans for something else also helps bring it about. That fantasy does not seem to be doing us much good as a body politic, but the idea has taken root everywhere, including at Department of State.
I found the book in a box in a storage locker just as I was writing a recent piece about a murderer. The amazing thing, the admirable thing, is that William Steig channeled his deep feeling into art over a very long life. The murder stayed in his dreams.
Having retired and returned to civilian life, what did Bo Gritz try to teach or communicate to us? Unlike, say, John McCain, he never modeled reconciliation with former enemies. He did not go to Vietnam after 1995 with veteran groups for humanitarian purposes. He did not preach against violence, or for peacefulness, responsibility, or inclusion. Mostly, he seemed interested in anti-social things: radical individualism, extreme autonomy, distrust of people, and the assumption of his own power, by violence if necessary.
I asked a friend which of two things she thought true: Are our lives narratives? Or are they many quick stories/events/incidents that pop up, one damn thing after another, which are tied together only by the meanings we assign?
Saint Louis Art Museum’s Art in Bloom, now in its twentieth year, is the museum’s most popular event, a long weekend of activities centering around the pairing of specific works of art in the galleries with flower arrangements, which reimagine them, by mostly professional floral designers and garden club members.