There is really an infinite variety of pleasant resorts of all kinds now, and one could quite safely leave it to the man in the ticket-office where one should go, and check one’s baggage accordingly. I think the chances of an agreeable summer would be as good in that way as in making a hard-and-fast choice of a certain place and sticking to it. My own experience is that in these things chance makes a very good choice for one, as it does in most non-moral things.
What am I seeing?, I have wondered as the names, dates, events, and sensory impressions pile up. By coincidence I found the film “Zerograd” this week, the Soviet entry for Best Foreign Language Film for the Academy Awards in 1989.
The letter was V-Mail, as it was called, for corresponding with service members overseas then. It was strict in its single-sheet economy, as letters were photographed then shipped on microfilm and printed on the other end. Add the need for operational security, and the handwritten letter has a pinched but personable tone.
When I saw the full lots, I knew reports of the death of the book had been greatly exaggerated.
Dipping into the freaky voices gathered by Jerome Rothenberg for new song lyrics, I found myself in bottomless waters.
This documentary lets Eco eternally stalk his prey of a desired volume in his beautifully utilitarian library. But most of the film exists to let him continue to express a fierce belief in print culture.
Dempsey’s website claims “[b]oth artists share a studio” near Chicago’s Loop, but as with so many things, this is a goof. John Dempsey and Billy Tokyo live and work in the same mind. In broad strokes, the difference between the styles of John Dempsey and Billy Tokyo is that Dempsey’s paintings are abstract—arcs and loops given depth by layered media—and Billy Tokyo’s are figurative (“but ‘Pop-py,’” Dempsey insisted) with distorted settings.
Adam, the first collector, got to label every other creature, creating the first taxonomy. Collectors ever since have catalogued their finds, documented their history, identified subtle differences. By the nineteenth century, people saw collections as symbolic worlds, full of clues to other places and other times.
Unlike most McCartney biographies, which seem to have little to say about the man’s actual music output, The McCartney Legacy focuses on how Paul went about constructing and recording his work, giving an invaluable history that helps illuminate how he re-conceptualized his art in the wake of the Beatles’ break-up.
Although Game may lack the scandal and drama of other basketball autobiographies, it is an important story that allows readers to appreciate Hill’s unique basketball skills and accomplishments as well as the ways he successfully navigates the often-contested worlds of Duke and the NBA.