Famed jazz historian and author Ashley Kahn explains how, and why, jazz translates so well in non-western countries such as Japan.
Earth, Wind & Fire turned the "Me Decade" upside down, inside out, and all around. Lead man Philip Bailey's bio reveals the spirit behind the songs.
It may be mere schmaltz from the shtetl, but the story and songs of Tevye, his daughters, and life in Anatevka has shaped Jewish identity to a surprising degree.
In life and in music, The Prisonaires never got the justice they deserved. John Dougan's new book The Mistakes of Yesterday, the Hopes of Tomorrow works to even that score.
David Kilcullen's new book predicts the future of armed conflict through terrorism's recent past, and with the city as its stage, but Out of The Mountains is best when it's analyzing, not prophesying.
Stanley Crouch gives us the best biography yet of Charlie Parker, the first jazz musician to let the saxophone lead the way, and the seminal musician who could make his horn sound “sweet,” yet “devoid of pity.”
A new biography of Louis Armstrong refuses to draw a firm distinction between art and commercial entertainment, and argues that Armstrong himself made no such distinction, indeed would hardly have understood it.
Whether on page, or on screen, Solomon Northrup's twelve years in bondage show the scars of slavery in all their vivid pain, contrasted against the promise of freedom.
The Earth moves in mysterious ways, and even once altered the flow of the Mississippi River. Conevery Bolton Valencius' new book on Missouri's New Madrid fault shows how those tremors spread through culture and history. Read it, and be prepared when "The Big One" next hits."
Alan Dershowitz's autobiography may have you searching for an exit, but not before submitting to the gargantuan pull of his self-regard, and hard-earned status as a lawyer of legend.