Maura Spiegel’s approach simultaneously favors the intimate and the sensational, painting a portrait of America’s most unassuming cinematic auteur that emphasizes both his workaday normalcy and the rarified place he occupies in the nation’s artistic and cultural landscape. It is an unabashedly hagiographic work.
For Black Americans, the questions might be asked, what does Christmas mean to us? And how can we make Christmas something usable for us? If, as Frederick Douglass argues, Christmas was tainted by the power politics of slavery, as the stories in Collier-Thomas’s collection make clear, it was equally tainted by Jim Crow and segregation.
Written by a quondam amateur boxer and celebrated ring scribe, Damage is a fluid combination of medical history, scientific facts, and personal narratives. Half of the gracefully written text is focused on the connection or, much more commonly, the lack thereof between the medical and boxing communities.
What immediately stands out is Schvey’s utter command of his material. The book will appeal to theatergoers and scholars interested in one of America’s greatest playwrights and his complicated relationship to a city he called home for some two decades, St. Louis.
Giving thanks, as Melanie Kirkpatrick reminds us, is an American preoccupation, a powerful religious and civic expression of our nation. Kirkpatrick’s fear is that the left’s attempt to banish gratitude unravels our country by denying it any dimension of humanity except its quest for power.
Some might be inclined to think that F. H. Buckley, a Trump supporter and conservative, must be a bit tongue-in-cheek with this. But he is not. He makes a plausible case that the country can separate, despite the Civil War which seemed to cement the states for good, and that it really ought to.
Calling the Spirits is a nifty survey of the western world’s supposed interactions with the spirits of the dead. Lisa Morton’s book reveals that our quest for ghosts is an expression of humanity, a way to cope with how overwhelmed we are when we lose someone close to us, how unbearable it is to think that the person is gone forever.
Rochelle Spencer’s “AfroSurrealism: The African Diaspora’s Surrealist Fiction” is a specific contribution to an important cultural genre and milieu. But it is also an argument for how to look at the world.
The Socialist Challenge Today is an essential read. It provides “revolutionary realism” in its analyses and is free of naïveté, pessimism, and–especially–replications of revolutionary strategy frozen in amber from the twentieth century. That alone makes it a necessary addition to every socialist’s bookshelf.
American Argument provides historical depth in our consideration of how Blacks and Whites came together to enact the ritual of conversing across racial lines in the hope of better understanding each other. But it is remarkable how well it still speaks to us today, as aspects of that conversation have not changed.
