The Last Great White Southerner
Elvis in Vegas is about this moment of resurrection for Elvis, the triumphant return to Vegas in 1969, the course correction from the abominable film career.
Elvis in Vegas is about this moment of resurrection for Elvis, the triumphant return to Vegas in 1969, the course correction from the abominable film career.
This is a fascinating book, especially important because it strips the function of foreign policy to first principles of national security and prosperity.
Calloway offers an incisive analysis of Washington’s most significant half-century of Indian relations (1748-1799) employing ethnohistory, a discipline that here integrates Native American cultural perspectives in evaluating Washington’s complete legacy, warts and all.
Jeff Guinn’s light-hearted prose takes the reader back to the early twentieth century. The book reads like a musical fugue: Its continuous theme is the annual trip; the variations, the uniqueness of each outing.
Author Yunte Huang underscores throughout Inseparable the extent to which Chang and Eng Bunker valued their privacy, not to mention their struggles to live their adult years far from the stage.
What exactly does it mean to say that a book will tell us Who We Are and How We Got Here? The immediate tendency is to conclude that the author really thinks, in the most reductive sense, that the “open sesame” code that will release the answers to human questions of identity is buried in our DNA.
The Fixers is a solid piece of investigative journalism, an anti-Trump book, to be sure, but objective and fair enough to be read by Trump partisans with interest, and even a limited level of enjoyment.
As I made my way through the book, I resisted the urge to cherry-pick essays by my favored cartoonists and writers, plowing straight through, which is probably the wrong way to read this book.
Laborde sets out to move beyond critique to theorize a more nuanced account of the contentious relationship between religion and liberalism. In an endlessly-frenzied debate that seems dangerously deadlocked, this ambition deserves to be applauded.
The novel’s attraction is solely its dystopian vision of a fascist America. None of its characters or situations are memorable. That is not to say that some of the characters are not interesting or diverting.