Susan Berfield’s book reads like a novel and she proves the adage that truth can be just as engaging as fiction. This is no small feat given that there are extensive discussions of century-old legislation and litigation, which only a true antitrust nerd can love.
Be it Hughes and Hurston, Baldwin and Wright, or Tupac and Biggie, burdened friendships are a recurrent and disturbingly alluring theme in the study of Black writers. Yet, if it is the dramatic bite of high-profile betrayal that tends to ignite a hot-selling story, in the case of Zora and Langston it is the dynamics of friendship that provide a happy counterexample.
Addis offers a dark view of Rome’s history, in which historical change comes about not through high-minded actions or progress, but rather through brutality, ruthlessness, and accident. This is a healthful antidote to the triumphalist histories, acclaiming the expansion of the Roman Empire, the rise of Christianity, Italian nationalism, or Western civilization, of which the city of Rome has sometimes been the center.
Overall, The Soul of the Stranger is a daring book. Ladin dares to speak as a transgender person, unapologetically, and assert that transgender people have a place in Judaism, whatever people may say and think.
Using the twin themes of hunger and health to explore the biopolitics of nature, Treitel convincingly shows that natural eating habits not only persisted in times of want as an efficient way to manage the nation’s food supply, but also in times of plenty to improve the health of the body politic.
How can remedies for Blacks, because of their unique subjugation, be colorblind and still work? Will they not be simply co-opted by the White majority? To this, the Black conservative responds that Blacks let their race over-determine their views and their fate while intensifying their sense of alienation, failing to understand that they are Americans too and benefit from policies that are good for Americans on the whole.
Adam Przeworski’s new book, Crises of Democracy, demonstrates that he is an unusual creature—a liberal with equanimity.
Theodore Porter’s contribution to this discussion, Genetics in the Madhouse: The Unknown History of Human Heredity, takes a much broader perspective on the eugenics-genetics divide. Instead of seeing eugenics as either a founding contaminant in genetics, or as a temporary aberration in psychiatric science, Porter looks at the much longer history of data collection within the primary sites for psychiatry over several centuries: asylums or mental hospitals.
The main takeaway here should properly not center on aspects that might be extended by adjacent work, but rather on the fact that, with Bring the War Home, we have been graced with a new go-to account of the contemporary white power movement.
Elvis in Vegas is about this moment of resurrection for Elvis, the triumphant return to Vegas in 1969, the course correction from the abominable film career.