If Amiri Baraka was the godfather of the 1960s Black Arts Movement, Sowell is the godfather of Black conservatism. And Black conservatism is as important to African American Studies as the Black Arts Movement no matter how disagreeable many of us in the field may find many of Black conservatism’s assumptions to be.
One may reasonably disagree with the views of Black people who attended the recent Old Parkland Conference this month in Dallas. But it is the height of intellectual, cultural, and political dishonesty and irresponsibility to call these people Uncle Toms or sellouts. They can only be understood as part of a Black tradition of thought, the rise of new ideological descendants of Booker T. Washington.
Sowell has forthrightly challenged his critics and detractors with the sheer volume of his work. In the blood sport of academic disagreement, that production is the sign of the bruiser. Whatever the reason for the neglect of Sowell, Jason L. Riley provides us with a much-needed book.
Those familiar with Sowell’s major works will find little here that has not been argued in his other books. For his fans, this consistency gives his arguments greater validity and provides greater comfort.