Clifford Thompson is the author and illustrator of Big Man and the Little Men, published 2022 by Other Press.
Who is winning the old nature-versus-nature debate? Which of these influencers has the upper hand? Are we mostly preprogrammed, acting out what has been inside us since Day One, or do we go in the direction life blows us?
As I write this essay, I am listening to Bird’s records. I love the inventiveness, the breakneck pace, and the flights of fancy of his melodies. I admire his daring and ingenuity, just as I do the Wright brothers’ daring and ingenuity: over a century after they occurred, it is thrilling to read accounts of their first successful powered flights.
Nichelle Nichols, aka "Star Trek"'s Lieutenant Nyota Uhura, represented a miracle. In a decade that saw Black people beaten, jailed, and killed for wanting to vote, when laws effectively recognizing husbands as their wives’ bosses were still on the books in some states, what reason was there to think a Black woman would show up on TV as the equal of her White male colleagues? And yet there she was. There she is, always.
Comic Art and African Americans
A lot of people love the feel and freedom of driving—certainly our culture celebrates those things—but those were outweighed for me by other factors, chief among them the astounding ease with which I can get lost.
I had been surprised days earlier when I found gray fur on one of the traps, from a now partially bald mouse who had a story to tell his many buddies, but here was something worse: not an uncaught rodent, but a half-caught rodent.
