Arts & Letters

Hablot Browne illustration

How Charles Dickens Panned the United States, Then Paused to Laud It

Taken together, “American Notes” and “Martin Chuzzlewit” reveal not only the fun of laughing at ourselves as Americans, but also the folly of how painfully ridiculous we look when we fail to acknowledge our faults and the collective injustices of our history that we would rather walk past. There is no virtue in unyielding, unquestioned “patriotism,” much less iron-clad nationalism. There is only material for ridicule, waiting for the next outsider with literary acumen to describe and document in cold-eyed prose.

Sen. Mitch McConnell

The Senate Leader as the Master Political Mechanic

Former Senate Republican Leader Mitch McConnell is famously terse and inscrutable and likes it that way. But the senior senator from Kentucky is a more complicated figure, and his successes as a legislator and leader are just part of what makes him an intriguing subject. Michael Tackett captures McConnell in all his complexity.

The Dubious Joys of Bad Movies

“Why,” I asked my husband, “would anyone want to waste time watching a bad movie?” “Because it’s fun,” he replied, as though this should be obvious. “No. A good movie is fun, even if it is wrenching. A bad movie is just sad. Pathetic, even. An insult to filmmaking. It…

The Most Haunting, Nagging, Maddening Exchange from Jonathan Franzen’s “The Corrections”

Few of us as Americans believe honestly that we are equal in democracy. We only believe that it is better to believe so, rather than do so through policy and programs that will result in strife and arguments. Equality, or as de Tocqueville expressed it, the quality of being “almost the same,” exists mostly in our collective imagination. But if it does not reside, there it might not live anywhere at all.

It Is Not You, Patti Smith, but Clearly Me

Sometimes we come across news reports so sad, photographs so jarring, or art and speech so moving, that we know we should, could, or might cry or scream in response. But we cannot. Instead, we cry or scream because we know we cannot, or will not, cry or scream. On some level, this means that Patti Smith has penetrated my soul despite assertions to the contrary. Perhaps that is what makes her “punk.”

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