From De Andrea Nichols’s Mirror Casket to Damon Davis’s All Hands On Deck to the lawn sculptures of Hands Up each work’s materiality disrupted the naturalization of segregated anti-Black space in St. Louis and produced embodied strategies of reclamation.
Neighborhoods United for Change frames St. Louis not just as a divided city, but also as one that yokes dispossession in North City to growth in South St. Louis, revealing how both North and South share similar goals.
The Common Reader, a publication of Washington University in St. Louis, offers the best in reviews, articles and creative non-fiction engaging the essential debates and issues of our time.
The Common Reader goes to Chicago to check in with the Democratic Party.