Too Much Life
In Mary Shelley’s Frankenstein, and in the Romantic age more generally, monstrosity came to be conceived as an excess of vitality. Exactly what life was, however, was a matter of intense debate.
Denise Gigante
In Mary Shelley’s Frankenstein, and in the Romantic age more generally, monstrosity came to be conceived as an excess of vitality. Exactly what life was, however, was a matter of intense debate.