Issue 37, Fall 2022
The Pilgrimage to the King’s Heartbreak Hotel
The real Elvis is American, remember, and America is a consumer society. The desires we project, the stuff we buy—that is what feels real to us. It lets us have any Elvis we want. He left plenty of kitsch in his wake, plenty of pseudo-religion, plenty of Elvis jokes—but he was not, is not, a joke. He lived our contradictions, released our inhibitions, and lost himself in the process.
The Last Great White Southerner
Elvis in Vegas is about this moment of resurrection for Elvis, the triumphant return to Vegas in 1969, the course correction from the abominable film career.