Baldwin’s love and hope for true democracy is most clear in his consistent attention to black music throughout his work. Especially in “Sonny’s Blues,” Baldwin underscores the importance of music in embodying and relating racialized trauma.
Rashida K. Braggs
Rashida K. Braggs is associate professor of Africana Studies and faculty affiliate in comparative literature and American Studies at Williams College.
Posts by Rashida K. Braggs
The real Elvis is American, remember, and America is a consumer society. The desires we project, the stuff we buy—that is what feels real to us. It lets us have any Elvis we want. He left plenty of kitsch in his wake, plenty of pseudo-religion, plenty of Elvis jokes—but he was not, is not, a joke. He lived our contradictions, released our inhibitions, and lost himself in the process.