In the eight chapters that comprise Corton’s book, fog emerges as an active, even murderous protagonist in the city, enticing, disorienting, and even poisoning those caught in its grip. Descending suddenly and often lingering for days, fogs would periodically cast London in an inescapable cloud of chill and gloom.
Meg Dobbins received her Ph.D. December 2015 from Washington University in St. Louis, where she specialized in 19th-century British literature and gender studies with a particular emphasis on economic history. Her dissertation was titled Queer Accounts: Victorian Literature and Economic Deviance. The second chapter of that project, “Jane Eyre’s Purse: Women’s Queer Economic Desire,” is forthcoming as an article in Victorian Literature and Culture. In recent years, she has presented research at the American Comparative Literature Association, the British Women Writers Conference, the Interdisciplinary Nineteenth-Century Association, and the North American Victorian Studies Association.
Posts by Meg Dobbins
The first woman to paint the official portrait of a U.S. president, Greta Kempton also painted Cabinet officials, governors, senators, the head of the Atomic Energy Commission, two Postmasters General, a Supreme Court justice, several university presidents, and a Cardinal of the Roman Catholic Church. But what would have happened if she had painted a self-portrait?