Kelsey Klotz

Kelsey Klotz is a Postdoctoral Fellow with the Fox Center for Humanistic Inquiry at Emory University. She has a Ph.D. in musicology from Washington University in St. Louis. Her research focuses on the cultural construction of cool jazz around narratives of white privilege, and emphasizes the lived experiences and sounds produced by black and white musicians.

Posts by Kelsey Klotz

Dogmatism and the Judgments of the Music Critic

The reason the Grammys repeatedly lead to such a feeling of disappointment and letdown is, ultimately, because the Grammys in their current form cannot possibly reflect the intersecting and complicated notions of musical value held by its audience. The best the Recording Academy can do—and indeed, what the Academy should do—is make transparent its musical priorities.

The Sorrows of Being a Millennial

Just as scholars consider how baby boomers’ Cold War experiences shaped their understandings of global politics, will future historians ask how millennials’ active shooter drills shaped their understandings of national politics?

The Uneasy Past of the Veiled Prophet Organization: Part II

For more than a century, the Veiled Prophet Organization has faced race-based protests; however, during all of that time, the organization has been able to claim innocence against racism based on historical context: they made no explicitly racist comments in public, and their exclusionary practices were the same as other fraternal organizations.

An Album While You Wait

Throughout her career thus far (it is hard to remember that she is just 33 years old), Esperanza Spalding has proven that hers is a unique voice in the music industry, easily crossing genre boundaries, yet continuously lauded by jazz musicians and audiences.

The Other Face of Racism

Identifying racism is an important step in stemming its tide, but we (and I speak specifically to white people) must be willing and able to consider that racism might look and sound like ourselves.

It’s a Bird! It’s a Plane! It’s Wonder Woman!

Despite the easy, pseudo-feminist promotion of Diana as “strong,” Wonder Woman director Patty Jenkins ultimately created a character who can contain a multitude of expressions that can simultaneously reinforce and disrupt typical gender norms.