With new evidence, along with fresh perspectives, David L. Roll has revised and refined aspects of conventional wisdom. First, Marshall’s leadership is more inspired than previously acknowledged. Second, in his professional life he is generally more assertive and self-assured, more likely to be uncompromising, and at times even less humble.
Absent the convention of an “Introduction,” the reader of Debi and Irwin Unger’s new biography of George C. Marshall must get well along in the narrative before its purpose is grasped. From then on, clarity about what the authors are about intensifies: an attempted take-down of the historical reputation of the man generally regarded as America’s finest public servant in the 20th century.
The Common Reader, a publication of Washington University in St. Louis, offers the best in reviews, articles and creative non-fiction engaging the essential debates and issues of our time.
The first woman to paint the official portrait of a U.S. president, Greta Kempton also painted Cabinet officials, governors, senators, the head of the Atomic Energy Commission, two Postmasters General, a Supreme Court justice, several university presidents, and a Cardinal of the Roman Catholic Church. But what would have happened if she had painted a self-portrait?
