For readers interested in concert pianists, Van Cliburn and his story enrich our understanding of how classical musicians developed their careers against the backdrop of the Cold War. For those drawn to this book more out of interest in political history, Nigel Cliff shows that musicians’ stories can give us perspective on the private and public faces of this conflict.
Cop Under Fire is a rambling monologue, aggressively expressed if not always cogently persuasive as a set of arguments. It would serve Clarke adequately as a campaign book as it expounds his policy views in a number of areas, some only tangentially related, at best, to law enforcement.
While Downs adds to the historical record detailed information about community and religious groups working with gay men in prison, his main objective in Stand By Me is to show how all of these sites of community formation, even those outside of urban areas, were part of gay liberation. This is his book’s greatest argumentative strength.
The author is at his best when piecing together anecdotes about a particular dancer’s life experiences or performance/creation process. Countless examples of this are in his book, which is why the text is still worth reading and valuable to dance.