One politician, once revered and adored, continues his charge to reclaim Brazil’s presidency while facing a 9.5-year prison sentence. The other, a struggling president, maneuvers his way around allegations as he salvages what is left of his presidency. Either way, for both, the clock is ticking.
There are at least two great mysteries about Chuck Berry. The first is why the father of rock ‘n’ roll became so cavalier and dismissive about his work once he achieved popularity. The second is how someone so deeply scarred as Berry could continue, at least for a period in the ’60s, to create music infused with so much joy, feeling, whimsy, and bristling intelligence.
The ways in which Lin-Manuel Miranda reverses traditional accounts of musical history by focusing on values taken from popular music, rather than values from art music, often contributes to critiques that view Hamilton as a problematic example of a progressive historical narrative.